Mostrando entradas con la etiqueta tropicalia. Mostrar todas las entradas
Mostrando entradas con la etiqueta tropicalia. Mostrar todas las entradas

25.12.08

.novos baianos.

novos baianos

Acabou Chorare
[Som Libre, 1972]

Algunos dicen que este es el disco más influyente en la historia de la música popular brasileira.


Este no es nada genérico, y muy divertido.
Goodtimes.

Lo grabaron después de estar jangeando mucho tiempo con joão gilberto en rio. con ese detalle más na' vale la pena por lo menos bajarlo.

30.10.08

.os mutantes.

Divina Comédia

A Divina Comédia Ou Ando Meio Desligado
[Omplatten,1970]

*Re-up.
Saracho request

jaja

10.9.08

.os mutantes.

os mutantes

Jardim Elétrico
[Polydor,1971]

01. Top Top
02. Benvinda
03. Tecnicolor
04. El Justiciero
05. It's Very Nice Prá Xuxu
06. Portugal de Navio
07. Virgínia
08. Jardim Elétrico
09. Lady Lady
10. Saravá
11. Baby

1.5.08

.rita lee.

rita lee

Hoje é o Primeiro Dia do Resto da Sua Vida
[Polygram/Universal,1972]

.gal costa.

gal

Gal Costa (Cinema Olympia)
[Universal, 1969]

.gal costa.

gal

Gal Costa (Não Identificado)
[Universal, 1969]

20.4.08

.gilberto gil.

gilberto gil

Gilberto Gil
[Mercury, 1968]

1. Frevo Rasgado
2. Voragem Pra Suportar
3. Domingou
4. Marginália II
5. Pega a Voga, Cabeludo
6. Ele Falava Nisso Todo Dia
7. Procissão
8. Luzia Luluza
9. Pé da Roseria
10. Domingo No Parque
11. Barca Grande [*]
12. Coisa Mais Linda Que Existe [*]
13. Questão de Ordem [*]
14. Luta Contra a Lata (Ou a Falência Do Café) [*]

Gilberto Gil's second album is packed with some of the best songs of his career -- jubilant pop extravaganzas like "Domingo No Parque," "Pega a Voga, Cabeludo," and "Frevo Rasgado" that were equally inspired by the irresistible, brassy bombast of Carnaval and intelligent rock & roll from America and Britain. Even more than the other Tropicalistas, though, Gil blends his rock and native influences seamlessly, resulting in songs like "Ele Falava Nisso Todo Dia," which chart an intriguing fusion of Brazilian and British Invasion (before he breaks into Portuguese for the first verse, the intro sounds exactly like a few early Rolling Stones productions). Gil's occasional backing band, the teenage Tropicalia breakouts known as Os Mutantes, join in on the feel-good Brazilian pop anthem "Domingou." Enjoyable and never as experimental as his work would soon become, Gilberto Gil 1968 is one of the best Tropicalia albums ever released.
tomado de allmusicguide.com

4.4.08

.os mutantes.

tecnicolor

Tecnicolor
[Universal,1970/2000]

1.Panis Et Circenses (2:13)
2.Bat Macumba (3:19)
3.Virginia (3:26)
4.She's My Shoo Shoo (A Minha Menina) (2:55)
5.I Feel A Little Spaced Out (Ando Meio Desligado) (2:53)
6.Baby (3:39)
7.Tecnicolour (3:57)
8.El Justiciero (3:54)
9.I'm Sorry Baby (Desculpe, Babe) (2:45)
10.Adeus Maria Fulo (2:42)
11.Le Premier Bonheur Du Jour (2:50)
12.Saravah (3:01)
13.Panis Et Circenses (reprise) (1:24)

Tecnicolor would have been the fourth album by the Brazilian tropicália band Os Mutantes. The album was intended to be their introduction in the English-speaking world and included English versions of songs from their first three albums, as well as several original tracks. Recorded in Paris in 1970, the tapes were lost until writer Carlos Calado, working on an Os Mutantes biography, uncovered them. It was released in 2000 on Universal Records with artwork by Sean Lennon. - wikipedia

Definitivamente no es uno de sus discos más sólidos, sin embargo el wtf factor lo hace interesantísimo. Os Mutantes en inglés? Yes please.

23.3.08

.os mutantes.

Divina Comédia

A Divina Comédia Ou Ando Meio Desligado
[Omplatten,1970]

1 Ando Meio Desligado (4:48)
2 Quem Tem Medo De Brincar De Amor (3:44)
3 Ave, Lúcifer (2:20)
4 Desculpe, Babe (2:50)
5 Meu Refrigerador Não Funciona (6:23)
6 Hey Boy (2:47)
7 Preciso Urgentemente Encontrar Um Amigo (3:50)
8 Chão De Estrelas (4:45)
9 Jogo De Calçada (4:08)
10 Haleluia (3:39)
11 Oh! Mulher Infiel (4:19)

Se me hace muy dificil escoger un sólo disco de Os Mutantes. Pero si mi vida dependiera de ello, probablemente sería este.

17.3.08

.os mutantes.

Mutantes

Mutantes
[Polydor,1969]

01.Dom Quixote (3:54)
02.Náo Vá Se Perder Por Ai (3:16)
03.Dia 36 (4:01)
04.Dois Mil E Um (3:57)
05.Algo Mais (2:38)
06.Fuga No. II (3:42)
07.Banho de Lua (Tintarella Di Luna) (3:41)
08.Rita Lee (3:10)
10.Qualquer Bobagem (4:37)
11.Caminhante Noturno (5:11)

Segundo disco...no digo más, no creo que haga falta.

16.3.08

.os mutantes.

Os mutantes

Os Mutantes
[Polydor,1968]

01.Panis Et Circensis (3:38)
02.A Minha Menina (4:41)
03.O Relogio (3:29)
04.Adeus Maria Fulo (3:04)
05.Baby (2:59)
06.Senhor F (2:33)
07.Bat Macumba (3:08)
08.Le Premier Bonheur Du Jour (3:37)
09.Trem Fantasma (3:16)
10.Tempo No Tempo (1:47)
11.Ave Genghis Khan (3:47)

Si nunca has oido esto, no sé qué estás esperando.

video raro de minha menina...esa persona estaba gozando:

.caetano veloso.

Caetano Veloso

Caetano Veloso (1968)
[Philips,1968]

01.Tropicália (3:40)
02.Clarice (5:30)
03.No Dia Em Que Eu Vim-me Embora (2:27)
04.Alegria, Alegria (2:50)
05.Onde Andarás (1:57)
06.Anunciação (2:01)
07.Superbacana (1:28)
08.Paisagem Útil (2:39)
09.Clara (1:45)
10.Soy Loco Por Tí, América (3:45)
11.Ave Maria (2:21)
12.Eles (4:40)

The first Caetano Veloso solo album was recorded in 1967. Soon after the III FMPB, where Veloso took fourth place with "Alegria, Alegria," he and his group (which would soon constitute the Tropicalia movement) were news, dividing opinions concerning the group's interest in fusing Brazilian music with international pop culture, lysergic psychedelia, generalized irreverence, and whatever crossed their minds. The arrangements were done by three classically trained composers, fully committed to the most adventurous experiments in modern music: Júlio Medaglia, Damiano Cozella, and Sandino Hohagen. Veloso's concept was that the album should surpass the Beatles' Sgt. Pepper's, being also very Brazilian and, at the same time, international. The record has immortal classics, such as "Clarice," "Soy Loco por Tí, América" (Gilberto Gil/Capinam), composed under the effect of the recent death of Che Guevara, "Superbacana," "Tropicália," and "Alegria, Alegria." The rest of the album has had less success but consists of excellent tracks that remain modern to this day. "Tropicália," the title track, was an unnamed song when its recording began. By suggestion of the then photographer Luís Carlos Barreto, Veloso used the same name of an installation by the visual artist Hélio Oiticica, which was composed by a labyrinth made with plants and birds and shown on a television set. The suggestion was accepted, and the Tropicalia was born. tomado de allmusic.com

Una de las primeras joyas del Tropicalia...