16.2.09
.nine inch nails.
2.16.09: A note from Trent and a wave goodbye
Towards the beginning of my career in Nine Inch Nails, our biggest break came in the form of an invitation to perform a series of shows with Jane's Addiction. These performances essentially created and defined the term "alternative" rock in the US, created an ongoing festival franchise that is still thriving (Lollapalooza), set the stage for Nirvana to shift popular taste a few months later, and were really fucking FUN to play and attend - truly the best times I've had. The shows were epic. So epic, they propelled NIN to the "next level" (whatever that means), but caused Jane's to implode. The band broke up at the end of that tour.
Fast forward to the present. Corporate rock STILL sucks. A friend tells me they saw the original Jane's lineup play a tiny show in LA that was unbelievable. I break out my Jane's records and am amazed by how vital they sound. These guys were the real deal and in this current climate mostly dominated by poseurs and pussies it was refreshing to hear something that sounded dangerous, volatile, beautiful and SINCERE.
Emails were sent, phone calls were made, dinner was arranged, ideas were discussed and the next thing I know we're in the studio experimenting. We laugh, we get to know each other, we cry, we yell, we almost quit, we record LOTS of guitar solos, we discuss, we actually begin to all communicate, we yell some more, we become FRIENDS, we laugh again and we do some great things. I get to see first hand why they broke up all those years ago but I also get the chance to see four distinct personalities that become an INCREDIBLE band when they're in the same room.
In NIN world, 2009 marks the 20th anniversary of our first releases. I've been thinking for some time now it's time to make NIN disappear for a while. Last year's "Lights in the Sky" tour was something I'm quite proud of and seems like the culmination of what I could pull off in terms of an elaborate production. It was also quite difficult to pull off technically and physically night after night and left us all a bit dazed. After some thought, we decided to book a last run of shows across the globe this year. The approach to these shows is quite different from last year - much more raw, spontaneous and less scripted. Fun for us and a different way for you to see us and wave goodbye. I reached out to Jane's to see if they'd want to join us across the US and we all felt it could be a great thing. Will it work? Will it resonate in the marketplace? Who knows. Is there big record label marketing dollars to convince you to attend? Nope.
Does it feel right to us and does it seem like it will be fun for us and you? Yes it does.
Look for tour dates soon and I hope to see you out there.
tomado de nin.com
-------
oh my god.
se acerca el apocalipsis. nin no more?
Towards the beginning of my career in Nine Inch Nails, our biggest break came in the form of an invitation to perform a series of shows with Jane's Addiction. These performances essentially created and defined the term "alternative" rock in the US, created an ongoing festival franchise that is still thriving (Lollapalooza), set the stage for Nirvana to shift popular taste a few months later, and were really fucking FUN to play and attend - truly the best times I've had. The shows were epic. So epic, they propelled NIN to the "next level" (whatever that means), but caused Jane's to implode. The band broke up at the end of that tour.
Fast forward to the present. Corporate rock STILL sucks. A friend tells me they saw the original Jane's lineup play a tiny show in LA that was unbelievable. I break out my Jane's records and am amazed by how vital they sound. These guys were the real deal and in this current climate mostly dominated by poseurs and pussies it was refreshing to hear something that sounded dangerous, volatile, beautiful and SINCERE.
Emails were sent, phone calls were made, dinner was arranged, ideas were discussed and the next thing I know we're in the studio experimenting. We laugh, we get to know each other, we cry, we yell, we almost quit, we record LOTS of guitar solos, we discuss, we actually begin to all communicate, we yell some more, we become FRIENDS, we laugh again and we do some great things. I get to see first hand why they broke up all those years ago but I also get the chance to see four distinct personalities that become an INCREDIBLE band when they're in the same room.
In NIN world, 2009 marks the 20th anniversary of our first releases. I've been thinking for some time now it's time to make NIN disappear for a while. Last year's "Lights in the Sky" tour was something I'm quite proud of and seems like the culmination of what I could pull off in terms of an elaborate production. It was also quite difficult to pull off technically and physically night after night and left us all a bit dazed. After some thought, we decided to book a last run of shows across the globe this year. The approach to these shows is quite different from last year - much more raw, spontaneous and less scripted. Fun for us and a different way for you to see us and wave goodbye. I reached out to Jane's to see if they'd want to join us across the US and we all felt it could be a great thing. Will it work? Will it resonate in the marketplace? Who knows. Is there big record label marketing dollars to convince you to attend? Nope.
Does it feel right to us and does it seem like it will be fun for us and you? Yes it does.
Look for tour dates soon and I hope to see you out there.
tomado de nin.com
-------
oh my god.
se acerca el apocalipsis. nin no more?
.hermit thrushes.
Benaki
[Single Married Girl Records,2008]
Recomendación Link y todo menos postearlo aquí por Kris.
14.2.09
11.2.09
.harry rag.
Batalla de Canicas
[Cuarto de Kristian, 2008]
Quinto muy esperado disco de este guitarrista 'riopedrense'. Esta ves nos tira un disco mucho más variado, jugando con sonidos análogos y synths....sin mencionar su voz (spoiler alert!) en canciones como 'Minitia' y 'Animals', lo cual sus melodias le dan un gran abrazo de bienvenida al mundo de sus composiciones.-Mr. Finchley
-Re-Post del original de mr. finch, sólo porque kristian le mete y le va a abrir a superaquello.
10.2.09
.((i))ndio.
Indio
[2009]
Es como si Beirut y musica de los andes tuvieran un hijo y lo criaran en Brooklyn. De BK NY, escuchen indio.
Myspace
9.2.09
.Pant.
S/T
[1978]
No hay mucha información sobre esta banda ínglesa, no más que son de Peterborough y solo duraron dos años (1978-1979). De seguro el guitarrista cuando hizo "Mother Fo" tenía dando vueltas en su mente el riff de "24 Hours" de Joy Division como por una semana entera despues de verlos en vivo por primera ves en una de las noches más cabronas de su vida.(lucky fucks)
Ratatat-Mirando(2009)
Aqui esta el nuevo single de Ratatat "Mirando" incluye un remix de animal collective.
Danger - 9/14 2007
Danger, much like Kavinsky ad Burial, is an absurdly gifted and artificially mysterious European DJ/producer (his songs don't even have proper names). He falls somewhere between Kavinsky and Justice in the current French Electro scene. Where Kavinsky recalls wasted afternoons pouring quarters into an Outrun coin-op, and Justice fuses familiar French Touch sounscapes with a Rock & Roll sense of immediacy, Danger's tracks come across as a blend of 80s horror/action movie and a hypnotic, Kraftwerk-ian feel. There isn't much information about Danger around yet (not even a wikipedia entry...), but the 9/14 2007 EP seems to be his only release so far, and it marks a truly stunning debut, with the real standout track being "11h30".
6.2.09
Squarepusher-Numbers Lucent EP(2009)
One salient observation rarely made about Tom Jenkinson, aka Squarepusher, is that within his often-meandeirng canon, he skillfully navigates the path between invention and interpretation. Save a few releases (last fall's rock concert-fantasy Just a Souvenir among them), d'n'b freakouts like those on his new Numbers Lucent EP have dominated the rhythmic tenor of Jenkinson's schizoid suites. Jenkinson's virtuosic bass work and his jazz training, however, just as often forge a path between breakbeats and fusion. Such live-band musings, even if largely theoretical, have set him apart from his more austere dancefloor cohorts.(pitchfork)
.show.
SUPERAQUELLO
3 y 4 de abril de 2009
@ La Respuesta, 1600 Av. Fernández juncos, Santurce, PR
8PM
junto a:
Harry Rag (viernes 3)
Go Organ! (sábado 4)
Superaquello vuelve a los escenarios despues de casi un año encerrados en el estudio Little Big Audio en Puerto Nuevo, donde se grabó la quinta producción de larga duración de la banda, titulada "Superaquello Interpreta Latarde" y que tendrá su lanzamiento en el verano de 2009.
La Respuesta en Santurce servirá de escenario para este concierto que incluye dos integrantes adicionales: Doel Delgado y Eduardo Martínez, quienes añaden bajo y batería a los temas del nuevo album.
Pronto ofreceremos detalles completos, incluyendo el precio de entrada, etc. Será una noche larga con muchas muchas muuuchas canciones!
http://www.superaquello.com
http://www.larespuestapr.com
http://www.myspace.com/superaquello
http://www.myspace.com/harryrag
http://www.myspace.com/cuatroveinte
//
http://www.superaquello.com/video/pecho_e_paloma.html
---------------------------------------------
-Show del año?
-Fácilmente
-ch.
4.2.09
.Shows.
GHOST MICE
Folk Punk Acústico desde Gainesville, Florida.
www.myspace.com/ghostmice
Viernes, 13 de febrero de 2009.
GHOST MICE
+ Música bailable
@ Café 103, Río Piedras
9:00pm en adelante.
Gratis! (Se aceptaran donaciones para el pago de los pasajes)
Domingo, 15 de febrero de 2009.
- PUNK ROCK FIELD DAY
Sets acústicos y mucha diversión
Más info: http://www.prhc.org/forums/index.php/topic,11821.75.html
Gratis
@ El Morro, Viejo San Juan
- Punk Rock After Party:
GHOST MICE
Teodoro y los Neandertales
Abismo Nuclear
@ Nuestro Son, Río Piedras
9:00pm
$5.00
Miercoles, 18 de febrero de 2009
GHOST MICE
Anti sociales
Un Final Fatal
Hay Silencio
@ Taller Cé, Río Piedras
9:00pm
$5.00
3.2.09
DESOLATE.-Sorry
Mas musica 8bit, en este cd que les dejo hay un cover de "genesis" de justice.
hope you like :)..lo describen como un gameboy en acido..con eso les digo todo
2.2.09
.Nullsleep.
Unconditional Aceleration
[8Bit Peoples, 2008]
Si quieren escuchar musica 8bit agresiva, escuchen Nullsleep.
Myspace
.Sonic Chicken 4.
S/T
[In The Red, 2007]
"Throughout the record, their sound wanders drunkenly through a range of styles that hit upon everything from Motown, Psych, British R&B, Punk 60's Pop and Country all masked under the twang and fuzzed out umbrella of primitive garage. In fact that whole thing is done with such grace, I might use the word "swaggers" rather than wander." -blog.sailorjerry.com
De la misma casa disquera que recogió a Davila666; los discos hechos en 'one-take'-y-cheket! hacen que tu botella de ron sepa más divertida.
.pronósticos.
Lean noticias, entrevistas, reviews y otras cosas interesantes en
Pagina web manejada por el Ex - Figment, Ex – Healthy Lizard, Ex – Cou… (bueno ustedes entienden), Ruben
Film School-Hideout(2007)
If you've got some electrical engineering experience and a desire to get rich quick, here's my advice: Invent the Loveless effects pedal. You could pretty much charge whatever you want for it; while a few button pushes at the Sam Ash are all that separate you from getting the tone of Dimebag Darrell or whoever the DOD Grunge module is supposed to emulate, would-be Kevin Shields still go on Creation-style spending sprees to get anywhere near his sound. You're guaranteed brand loyalty as well, if Hideout is any indication. With an almost charming defiance, Bay Area foursome Film School are long on whooshy, gliding guitar lines and short on a whole lot that can distinguish them from the dozens of bands doing the same exact thing.
Myspace: http://www.myspace.com/filmschool
1.2.09
Boys Noize-Bugged Out Presents Suck My Deck: Mixed By Boys Noize(2008)
Banda del aleman Alexander Ridha, electro tech producer y DJ..en fin..para que se pongan a bailar aqui les dejo un remix que hizo de varios artistas
Tracklist
01 Justice - DANCE (Boys Noize's Teaching How To Dance Accapella)
02 Surkin - Next Of Kin
03 Jackson & His Computer Band - Apeggio
04 Sebastian - Dolomi
05 Modeselektor - Suckerpin
06 Apparat - Cheap Thrills
07 Alter Ego - Beat The Bush
08 Das Glow - Sunburnt
09 DJ Blaqstar – Shake It To the Ground (Claude von Stroke Remix)
10 Shadow Dancer - Poke
11 Shadow Dancer - Cowbois
12 Siriusmo - Mein Neues Fahrrad (Boys Noize Rework)
13 Boys Noize - Lava Lava
14 High Powered Boys – Hoes Get Down
15 Feadz – New Humanoid
16 DIM - Is You (Brodinski Remix)
17 Dj Koze - Don’t Feed The Cat
18 Lil Louis/Marshall Jefferson - Video Crash
19 Laurie Anderson - Oh Superman
20 MMM - Donna
21 Smith n Hack - b2
22 Thomas Bangalter - Spinal Beats / Smith n Hack - b2
23 Boys Noize - DeDeDepella / Thomas Bangalter - Spinal Beats
24 Das Glow - Weiss Gaz
25 Reel 2 Reel - I Like To Move It (Instrumental)
26 Auto Repeat You Can’t Stop (Paul Johnson Remix)
27 housemeister - Inodertodance/ Surkin- Ghetto Obsession (Accapella)
28 Puzique - Thomas
29 Justice - Phantom (Boys Noize's Unreleased Turbine)
30 Boys Noize - Arcade Robot
31 Outlander - The HVamp
32 Ost & Kjex - Hasta Luego Manchego (Martin Horntveth Mix) (Sisi Edit)
33 The Faint - The Passives
34 Romanthony - Wanderer
Tobacco-Fucked Up Friends(2008)
Fucked Up Friends
Tobacco is the pseudonym of Tom Fec, architect of the reclusive (and frequently masked) Pittsburgh psychedelic pop outfit Black Moth Super Rainbow. Known for a tendency towards the peculiar (he recently made a mix for XLR8R.com entitled Songs To Get Killed in the Woods To and is rumored to produce tracks somewhere deep in the Pennsylvania forest), Tobacco employs old-fashioned electronic instrumentation such as analog synths and tape machines to create the hallucinatory sounds behind BMSR and his eponymous solo recordings. On Fucked Up Friends, his first companionless LP, Fec puts those toys to use for an effort that veers from his fulltime group's sunny-but-warped electronica and creeps towards a darker brand of instrumental hip-hop.
Tobacco en Myspace
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